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A space opera set on Mars by one of the twentieth century's most brilliant-and neglected-science fiction and horror writers, whom Stephen King called "the best writer of science fiction that England has ever produced." What if alien life-forms included autonomous, conscious machines? An international prize is offered to the first man to complete an interplanetary journey. For British pilot Dale Curtance, it is the ultimate challenge; he must build a ship, assemble a top-notch crew, and beat the Russians and the Americans, too. Soon the Gloria Mundi heads for Mars. There's only one problem: a…mehr

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Produktbeschreibung
A space opera set on Mars by one of the twentieth century's most brilliant-and neglected-science fiction and horror writers, whom Stephen King called "the best writer of science fiction that England has ever produced." What if alien life-forms included autonomous, conscious machines? An international prize is offered to the first man to complete an interplanetary journey. For British pilot Dale Curtance, it is the ultimate challenge; he must build a ship, assemble a top-notch crew, and beat the Russians and the Americans, too. Soon the Gloria Mundi heads for Mars. There's only one problem: a stowaway named Joan Shirning. At first, the men resent Joan's presence. But they come to realize that she is the only one who has firsthand knowledge of the Martians-or at least the intelligent beings that will one day replace them. . . .

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Autorenporträt
John Wyndham (1903-1969) is considered a pioneer of science fiction and horror, though he preferred to think of himself as a "logical fantasist." He began writing science fiction and detective stories in the 1920s, but shifted to science fiction post-WWII, focusing on themes of disaster, invasion, and first contact. His best-known works include The Day of the Triffids (1951) and The Midwich Cuckoos (1957). A pacifist and socialist, Wyndham was alive to the impact of sexism, classism, and prejudice and his novels reflect his liberal politics.