Die vorliegende Einspielung mit Sabine Lutzenberger und Per-Sonat taucht tief ein in die musikalische Welt der mittelalterlichen Zisterzienserinnen. Die auf eigens errichteten Emporen und damit unsichtbar für die Gläubigen vorgetragenen Gesänge sind geprägt von tiefer Spiritualität und Mystik. Die bewusst schlichte Musik transferiert uns auch heute noch in einen Raum von Versenkung und Konzentration.
CD 1 | |||
1 | I. Allegro | 00:07:26 | |
2 | II. Adagio | 00:06:13 | |
3 | III. Allegro | 00:07:28 | |
4 | I. Allegro | 00:04:13 | |
5 | II. Larghetto | 00:04:28 | |
6 | III. Allegro ma non tanto | 00:04:01 | |
7 | I. Allegro | 00:07:20 | |
8 | II. Adagio | 00:05:29 | |
9 | III. Allegro assai | 00:02:41 | |
10 | I. Allegro | 00:09:42 | |
11 | II. Affettuoso | 00:05:01 | |
12 | III. Allegro | 00:05:14 | |
CD 2 | |||
1 | I. Allegro - II. Adagio | 00:05:18 | |
2 | III. Allegro | 00:04:18 | |
3 | I. Vivace | 00:03:25 | |
4 | II. Largo ma non tanto | 00:05:57 | |
5 | III. Allegro | 00:04:10 | |
6 | I. Ouverture | 00:09:02 | |
7 | II. Courante | 00:02:04 | |
8 | III. Gavottes I & II | 00:02:38 | |
9 | IV. Forlane | 00:01:07 | |
10 | V. Menuets I & II | 00:02:53 | |
11 | VI. Bourrées I & II | 00:02:21 | |
12 | VII. Passepieds I & II | 00:03:09 | |
13 | I. Allegro | 00:04:18 | |
14 | II. Adagio | 00:04:32 | |
15 | III. Allegro | 00:03:08 | |
CD 3 | |||
1 | I. Allegro | 00:06:09 | |
2 | II. Andante | 00:03:50 | |
3 | III. Presto | 00:04:21 | |
4 | I. - | 00:07:05 | |
5 | II: Siciliano | 00:04:46 | |
6 | III. Allegro | 00:06:06 | |
7 | I. - | 00:05:40 | |
8 | II. Adagio | 00:05:17 | |
9 | III. Allegro | 00:04:27 | |
10 | I. Ouverture | 00:10:05 | |
11 | II. Rondeau | 00:01:28 | |
12 | III. Sarabande | 00:03:15 | |
13 | IV. Bourrée I & II | 00:02:04 | |
14 | V. Polonaise & Double | 00:03:44 | |
15 | VI. Menuet | 00:00:54 | |
16 | VII. Badinerie | 00:01:23 | |
CD 4 | |||
1 | I. - | 00:03:29 | |
2 | II. Andante | 00:06:45 | |
3 | III. Allegro assai | 00:03:31 | |
4 | I. - | 00:06:46 | |
5 | II. Adagio | 00:04:43 | |
6 | III. Vivace | 00:05:25 | |
7 | I. Allegro | 00:07:55 | |
8 | II. Adagio ma non tanto e dolce | 00:04:55 | |
9 | III. Tempo di allabreve | 00:06:14 | |
10 | I. - | 00:04:51 | |
11 | II. Andante | 00:03:36 | |
12 | III. Allegro assai | 00:02:49 | |
CD 5 | |||
1 | I. Ouverture | 00:09:33 | |
2 | II. Air | 00:03:32 | |
3 | III. Gavottes I & II | 00:03:54 | |
4 | IV. Bourrée | 00:01:06 | |
5 | V. Gigue | 00:02:38 | |
6 | I. Allegro | 00:03:06 | |
7 | II. Adagio | 00:02:43 | |
8 | III. Presto | 00:03:17 | |
9 | I. - | 00:05:27 | |
10 | II. Adagio ma non tanto | 00:04:38 | |
11 | III. Allegro | 00:05:45 | |
12 | I. - | 00:04:36 | |
13 | II. Alla siciliana | 00:03:39 | |
14 | III. Allegro | 00:04:29 | |
CD 6 | |||
1 | I. Ouverture | 00:11:11 | |
2 | II. Bourrées I & II | 00:02:56 | |
3 | III. Gavotte | 00:01:46 | |
4 | IV. Menuets I & II | 00:03:20 | |
5 | V. Réjouissance | 00:03:20 | |
6 | I. Allegro | 00:04:03 | |
7 | II. Larghetto | 00:03:49 | |
8 | III. Allegro ma non tanto | 00:03:48 | |
9 | I. Allegro | 00:03:52 | |
10 | II. Adagio | 00:03:34 | |
11 | III. Allegro | 00:04:03 | |
12 | IV. Menuet & Polonaise | 00:05:47 | |
13 | I. Allegro | 00:03:25 | |
14 | II. Adagio | 00:02:08 | |
15 | III. Allegro | 00:03:08 | |
CD 7 | |||
1 | Aria | 00:03:52 | |
2 | Variation 1 | 00:02:06 | |
3 | Variation 2 | 00:01:38 | |
4 | Variation 3 - Canone all unisuono | 00:01:58 | |
5 | Variation 4 | 00:01:04 | |
6 | Variation 5 | 00:01:49 | |
7 | Variation 6 - Canone alla seconda | 00:01:06 | |
8 | Variation 7 - Al tempo di giga | 00:01:30 | |
9 | Variation 8 | 00:02:07 | |
10 | Variation 9 - Canone alla terza | 00:02:17 | |
11 | Variation 10 - Fugetta | 00:01:34 | |
12 | Variation 11 | 00:02:07 | |
13 | Variation 12 - Canone alla quarta | 00:02:31 | |
14 | Variation 13 | 00:05:36 | |
15 | Variation 14 | 00:02:08 | |
16 | Variation 15 - Canone alla quinta | 00:04:23 | |
17 | Variation 16 - Ouverture | 00:02:28 | |
18 | Variation 17 | 00:02:04 | |
19 | Variation 18 - Canone alla sexta | 00:01:23 | |
20 | Variation 19 | 00:01:08 | |
Weitere 12 Tracks anzeigen | |||
21 | Variation 20 | 00:01:55 | |
22 | Variation 21 - Canone alla settima | 00:02:49 | |
23 | Variation 22 - Alla breve | 00:01:21 | |
24 | Variation 23 | 00:02:07 | |
25 | Variation 24 - Canone all ottava | 00:02:54 | |
26 | Variation 25 - Adagio | 00:06:29 | |
27 | Variation 26 | 00:02:05 | |
28 | Variation 27 - Canone all nona | 00:01:58 | |
29 | Variation 28 | 00:02:19 | |
30 | Variation 29 | 00:02:08 | |
31 | Variation 30 - Quodlibet | 00:02:29 | |
32 | Aria | 00:04:14 | |
CD 8 | |||
1 | I. Canon simplex | 00:00:19 | |
2 | II. All' rovescio | 00:00:16 | |
3 | III. Beede vorigen canones zugleich, motu recto e contrario | 00:00:17 | |
4 | IV. Motu contrario e recto | 00:00:16 | |
5 | V. Canon duplex à 4 | 00:00:34 | |
6 | VI. Canon simplex über besagtes Fundament à 3 | 00:00:43 | |
7 | VII. Idem à 3 | 00:00:19 | |
8 | VIII. Canon simplex à 3, il soggetto in alto | 00:00:33 | |
9 | IX. Canon in unisono post semifusam à 3 | 00:00:27 | |
10 | X. Alio modo, per syncopationes et per ligaturas à 2 | 00:00:32 | |
11 | XI. Canon duplex übers Fundament à 5 | 00:01:05 | |
12 | XII. Canon duplex übers besagte Fundamental-Noten à 5 | 00:03:33 | |
13 | XIII. Canon triplex à 6 | 00:01:11 | |
14 | XIV. Canon à 4 per augmentationem et diminutionem | 00:01:45 | |
15 | Die Wasserrüben und der Kohl (Volkslied, Sopra la bergamasca) | 00:07:27 | |
16 | Ich bin so lang nicht bei dir gewest (Kehraus Improvisé, avec la complicité de Heinrich Ignaz Franz Biber & Toinot Arbea | 00:04:54 | |
CD 9 | |||
1 | I. Coro | 00:04:36 | |
2 | II. Recitativo | 00:00:55 | |
3 | III. Aria | 00:04:27 | |
4 | IV. Recitativo | 00:00:38 | |
5 | V. Aria | 00:05:13 | |
6 | VI. Recitativo | 00:00:40 | |
7 | VII. Aria | 00:06:37 | |
8 | VIII. Recitativo | 00:00:56 | |
9 | IX. Aria | 00:04:18 | |
10 | X. Recitativo | 00:00:49 | |
11 | XI. Aria | 00:02:53 | |
12 | XII. Recitativo | 00:01:05 | |
13 | XIII. Coro | 00:05:03 | |
14 | I. Coro | 00:05:05 | |
15 | II. Recitativo | 00:01:54 | |
16 | III. Aria | 00:04:19 | |
17 | IV. Recitativo | 00:02:00 | |
18 | V. Aria Duetto | 00:04:53 | |
19 | VI. Ritornello | 00:01:45 | |
20 | VII. Recitativo | 00:01:35 | |
Weitere 3 Tracks anzeigen | |||
21 | VIII. Aria | 00:05:31 | |
22 | IX. Recitativo | 00:03:05 | |
23 | X. Coro | 00:04:18 | |
CD 10 | |||
1 | I. Allegro assai | 00:02:32 | |
2 | II. Adagio | 00:03:05 | |
3 | III. Allegretto | 00:04:33 | |
4 | I. Allegretto | 00:04:07 | |
5 | II. Larghetto | 00:02:23 | |
6 | III. Presto | 00:03:42 | |
7 | I. Allegro | 00:06:49 | |
8 | II. Largo | 00:09:34 | |
9 | III. Allegro assai | 00:05:32 | |
10 | I. Allegro di molto | 00:02:18 | |
11 | II. Poco andante | 00:03:07 | |
12 | III. Allegro spirituoso | 00:03:11 | |
13 | I. Allegro di molto | 00:03:36 | |
14 | II. Poco adagio | 00:03:35 | |
15 | III. Presto | 00:03:50 | |
CD 11 | |||
1 | Der Frühling, H.688 WQ 237 | 00:09:06 | |
2 | I. Allegro assai | 00:05:32 | |
3 | II. Andantino | 00:02:54 | |
4 | III. La Coorl, tempo di Minuetto | 00:03:04 | |
5 | I. Edle Freiheit, Götterglück | 00:01:11 | |
6 | II. Himmelstochter, Ruf der Seelen | 00:02:13 | |
7 | III. Reiche bis zum Wolkensitze | 00:01:05 | |
8 | I. Allegretto | 00:05:06 | |
9 | II. Largo con Sordini | 00:04:24 | |
10 | III. Allegro | 00:05:06 | |
11 | Fürsten sind am Lebensziele, H.761 WQ 214 | 00:02:50 | |
12 | Selma, H.739 WQ 236 | 00:02:27 | |
13 | I. Adagio | 00:05:41 | |
14 | II. Allegro, ma non troppo | 00:07:05 | |
15 | III. Allegretto | 00:06:14 | |
CD 12 | |||
1 | I. Allegro | 00:00:52 | |
2 | II. Adagio e spiccato | 00:00:25 | |
3 | III. Allegro | 00:02:55 | |
4 | IV. Largo e spiccato | 00:02:24 | |
5 | V. Allegro | 00:02:39 | |
6 | I. Andante | 00:02:37 | |
7 | II. Adagio | 00:01:34 | |
8 | III. Allegro | 00:02:31 | |
9 | IV. Adagio | 00:01:01 | |
10 | V. Allegro | 00:01:25 | |
11 | I. Allegro | 00:02:01 | |
12 | II. Larghetto | 00:03:51 | |
13 | III. Allegro | 00:02:06 | |
14 | I. Allegro molto | 00:03:33 | |
15 | II. Largo | 00:03:33 | |
16 | III. Allegro | 00:03:13 | |
17 | I. Allegro | 00:03:43 | |
18 | II. Largo - Larghetto - Adagio - Largo | 00:02:14 | |
19 | III. Allegro | 00:03:23 | |
20 | I. Allegro | 00:03:14 | |
Weitere 8 Tracks anzeigen | |||
21 | II. Largo | 00:03:24 | |
22 | III. Allegro | 00:02:31 | |
23 | I. Allegro | 00:04:01 | |
24 | II. Largo | 00:02:35 | |
25 | III. Allegro | 00:03:29 | |
26 | I. Allegro | 00:03:34 | |
27 | II. Larghetto e spiritoso | 00:03:37 | |
28 | III. Allegro | 00:03:04 | |
CD 13 | |||
1 | I. Allegro | 00:02:09 | |
2 | II. Adagio | 00:01:57 | |
3 | III. Allegro | 00:01:49 | |
4 | I. - | 00:05:03 | |
5 | II. N'admirés vous pas ce tableau... | 00:02:44 | |
6 | III. Ainsi par des sons tout s'exprime | 00:03:26 | |
7 | La Sonnerie de Ste Geneviève du Mont de Paris | 00:07:14 | |
8 | I. - | 00:03:24 | |
9 | II. Un autre mort en grand silence... | 00:06:02 | |
10 | III. Vous êtes mon vainqueur... | 00:04:58 | |
11 | IV. Qu'entends-je!... | 00:03:55 | |
12 | I. Allegro | 00:03:09 | |
13 | II. Amorozo | 00:02:08 | |
14 | III. Allegro | 00:01:57 | |
15 | I. - | 00:03:08 | |
16 | II. Air: Loin des yeaux qui m'ont fait captif | 00:03:41 | |
17 | III. Signalons sur ces monts | 00:05:34 | |
18 | IV. Le fameux chevalier à la triste figure | 00:03:43 | |
CD 14 | |||
1 | I. Largo | 00:02:36 | |
2 | II. Con furia | 00:04:55 | |
3 | III. Adagio | 00:01:56 | |
4 | IV. Vivacemente | 00:03:38 | |
5 | I. Largo | 00:03:01 | |
6 | II. Allegro | 00:01:45 | |
7 | III. Moderato | 00:03:36 | |
8 | IV. Allegro | 00:02:24 | |
9 | I. Con affetto | 00:03:56 | |
10 | II. Allegro | 00:03:21 | |
11 | III. Andante moderato | 00:03:01 | |
12 | IV. Vivacemente | 00:02:40 | |
13 | I. Largo andante | 00:01:28 | |
14 | II. Allegro spiritoso | 00:03:11 | |
15 | III. Amoroso | 00:03:20 | |
16 | IV. Allegro | 00:02:08 | |
17 | I. Largo | 00:01:31 | |
18 | II. Con spirito - Andante - Con spirito | 00:03:49 | |
19 | III. Siciliana | 00:03:04 | |
20 | IV. Allegro | 00:04:10 | |
Weitere 6 Tracks anzeigen | |||
21 | I. Grave temporeggiato | 00:02:02 | |
22 | II. Largo tempo giusto | 00:01:19 | |
23 | III. Allegro spiritoso | 00:03:39 | |
24 | IV. Lentemente | 00:05:10 | |
25 | V. Temporeggiato | 00:01:31 | |
26 | VI. Allegro | 00:03:26 | |
CD 15 | |||
1 | I. Prélude | 00:02:10 | |
2 | II. Allemande | 00:02:57 | |
3 | III. Courante et double de la Courante | 00:01:36 | |
4 | IV. Seconde courante | 00:01:33 | |
5 | V. Troisième Courante | 00:01:28 | |
6 | VI. Sarabande | 00:03:24 | |
7 | VII. Gigue | 00:01:54 | |
8 | VIII. Seconde Gigue | 00:01:12 | |
9 | IX. Gaillarde | 00:04:46 | |
10 | X. Chaconne Rondeau | 00:03:22 | |
11 | Ouverture de Cadmus | 00:02:49 | |
12 | Ritournelle des Fées de Rolland | 00:01:19 | |
13 | Chaconne de Phaeton | 00:03:39 | |
14 | I. Prélude | 00:01:48 | |
15 | II. Allemande | 00:03:14 | |
16 | III. Courante | 00:01:20 | |
17 | IV. Seconde Courante | 00:01:38 | |
18 | V. Sarabande | 00:03:04 | |
19 | VI. Sarabande dieux des enfers | 00:01:38 | |
20 | VII. Gigue | 00:02:04 | |
Weitere 7 Tracks anzeigen | |||
21 | VIII. Gaillarde | 00:03:49 | |
22 | IX. Passacaille | 00:05:32 | |
23 | Ouverture de la Mascarade | 00:04:05 | |
24 | Les Sourdines d'Armide | 00:02:29 | |
25 | Les Songes Agréables d'Atys | 00:01:44 | |
26 | Air d'Apollon du Triomphe de l'Amour | 00:02:38 | |
27 | Passacaille d'Armide | 00:04:22 | |
CD 16 | |||
1 | Ouverture de Cadmus | 00:02:43 | |
2 | Ritournelle des Fées de Roland | 00:01:26 | |
3 | Petit Air pour les Mesmes | 00:01:39 | |
4 | Premier Air (Armide) | 00:02:13 | |
5 | Second Air (Armide) | 00:02:29 | |
6 | Chaconne de Phaeton | 00:03:40 | |
7 | Ouverture | 00:04:26 | |
8 | Les Songes Agréables d'Atys | 00:02:05 | |
9 | Sarabande dieux des enfers du "Ballet de la Naissance de Vénus" | 00:03:44 | |
10 | Air d'Apollon du Triomphe de l'Amour | 00:02:40 | |
11 | Passacaille d'Armide | 00:04:33 | |
12 | Fugue grave pour l'Orgue | 00:02:49 | |
13 | 2e Fugue sur le Mesme sujet | 00:02:06 | |
14 | 3e Fugue | 00:02:52 | |
15 | 4e Fugue | 00:01:40 | |
16 | 5e Fugue | 00:02:33 |