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This is a study of vulnerability as a dominant cultural discourse today, especially as it manifests in 'extreme cultures'. These are cultural practices and representations of humans in risky, painful or life-threatening conditions where the limits of their humanity are tested, and producing heightened sensations of pain and pleasure. Extreme cultures in this book signal the social ontology of humans where, in specific conditions, vulnerability becomes helplessness. We see in these cultures the exploitation of the body's immanent vulnerability in involuntary conditions of torture or…mehr

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Produktbeschreibung
This is a study of vulnerability as a dominant cultural discourse today, especially as it manifests in 'extreme cultures'. These are cultural practices and representations of humans in risky, painful or life-threatening conditions where the limits of their humanity are tested, and producing heightened sensations of pain and pleasure. Extreme cultures in this book signal the social ontology of humans where, in specific conditions, vulnerability becomes helplessness. We see in these cultures the exploitation of the body's immanent vulnerability in involuntary conditions of torture or deprivation, the encounter with extreme situations where the body is rendered incapacitated from performing routine functions due to structural conditions or in a voluntary embracing of risk in sporting events wherein the body pits itself against enormous forces and conditions. The Extreme in Contemporary Culture studies vulnerability across various conditions: torture, disease, accident. It studies spaces of vulnerability and helplessness, the aesthetics and representations of vulnerability, the extreme in the everyday and, finally, the witnessing of (in)human extremes. Extreme cultures suggest shared precarity as a foundational condition of humanity. A witness culture emerges through the cultural discourse of vulnerability, the representations of the victim and/or survivor, and the accounts of witnesses. They offer, in short, an entire new way of speaking about and classifying the human.

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Autorenporträt
Pramod K Nayar is Professor of English at the University of Hyderabad, India. His work in postcolonial studies includes Colonial Voices: The Discourses of Empire (2012), Writing Wrongs: The Cultural Construction of Human Rights in India (2012), English Writing and India, 1600-1920:Colonizing Aesthetics (2008)and Postcolonial Literature: An Introduction (2008). His interests in cultural studies include superheroes, consumer culture, 'cool', posthumanism and new media cultures, and his work here includes Posthumanism ( 2013)An Introduction to Cultural Studies (2008), Reading Culture: Theory, Praxis, Politics (2006) and Virtual Worlds: Culture and Politics in the Age of Cybertechnology (2004) besides numerous essays on cyberculture and, more recently, on human rights narratives.