This study considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic, re-examining the director's immediate postwar works in relation to the contemporary discussion on Italian national identity.
This study considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic, re-examining the director's immediate postwar works in relation to the contemporary discussion on Italian national identity.
Ora Gelley is Assistant Professor of Film Studies at North Carolina State University.
Inhaltsangabe
Selected Contents: 1. Rossellini s War Trilogy: Italian Cinema and National Identity 1945 50 2. Ingrid Bergman s Star Persona: Blurring the Boundaries 3. Ingrid Bergman and the Alien Space of Stromboli 4. Europa `51 : The Face of the Star in Neorealism s Urban Landscape 5. Voyage to Italy: The Powers of Dispersion
Selected Contents: 1. Rossellini s War Trilogy: Italian Cinema and National Identity 1945 50 2. Ingrid Bergman s Star Persona: Blurring the Boundaries 3. Ingrid Bergman and the Alien Space of Stromboli 4. Europa `51 : The Face of the Star in Neorealism s Urban Landscape 5. Voyage to Italy: The Powers of Dispersion
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