Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.
Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.
Chad E. Seales teaches in the Religious Studies department at the University of Texas at Austin. His research addresses the relationship between religion and culture in American life, as evident in the social expressions of Southern evangelicals, the popular religious practices of Latino migrants, and the moral prescriptions of corporate managers. He has published articles on corporate chaplaincy and the American workplace, religion and industrialization, the changing religious landscape of the American South, and the religious politics of U2's Bono.
