The Comedy of Dante Alighieri
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"The Comedy of Dante Alighieri," more commonly known as "The Divine Comedy," is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely regarded as the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative and allegorical vision of the afterlife is a culmination of the medieval world-view as it had developed in the Western Church. The poem is divided into three parts: Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise). Dante narrates his travels through t...
"The Comedy of Dante Alighieri," more commonly known as "The Divine Comedy," is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely regarded as the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative and allegorical vision of the afterlife is a culmination of the medieval world-view as it had developed in the Western Church. The poem is divided into three parts: Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise). Dante narrates his travels through these realms, guided first by the Roman poet Virgil and later by Beatrice, representing divine love. Through vivid imagery and profound theological reflections, Dante explores themes of sin, redemption, and the ultimate attainment of divine grace. "The Divine Comedy" remains a cornerstone of Western literature, celebrated for its poetic beauty, intellectual depth, and enduring relevance. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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