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Commento critico-esegetico ai frammenti del Fetonte di Euripide
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In line with the ever-increasing attention given to fragmentary texts in the field of classical theatre studies, Silvia Onori's volume presents a new critical-exegetical commentary on Euripides' Phaethon. Based on the text edited by Richard Kannicht, alongside each fragment we find a full list of bibliographical references, an analysis of the context of the quotation, an Italian translation, and an exegetical commentary. The introduction presents the sources for every fragment, a possible reconstruction of the drama, a hypothesis on its origin and the significance of the myth from its tragic o...
In line with the ever-increasing attention given to fragmentary texts in the field of classical theatre studies, Silvia Onori's volume presents a new critical-exegetical commentary on Euripides' Phaethon. Based on the text edited by Richard Kannicht, alongside each fragment we find a full list of bibliographical references, an analysis of the context of the quotation, an Italian translation, and an exegetical commentary. The introduction presents the sources for every fragment, a possible reconstruction of the drama, a hypothesis on its origin and the significance of the myth from its tragic origins. The volume is completed by an appendix on the modern and contemporary revision of the myth.
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