Celebrity Gods
New Religions, Media, and Authority in Occupied Japan
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Celebrity Gods explores the interaction of new religions and the media in postwar Japan. It focuses on the leaders and founders (kyoso) of Jiu and Tensho Kotai Jingu Kyo, two new religions of Japan’s immediate postwar period that received substantial press attention. Jiu was linked to the popular prewar group Omotokyo, and its activities were based on the millennial visions of its leader, a woman called Jikoson. When Jiu attracted the legendary sumo champion Futabayama to its cause, Jikoson and her activities became a widely-covered cause célèbre in the press. Tensho Kotai Jingu Kyo (label...
Celebrity Gods explores the interaction of new religions and the media in postwar Japan. It focuses on the leaders and founders (kyoso) of Jiu and Tensho Kotai Jingu Kyo, two new religions of Japan’s immediate postwar period that received substantial press attention. Jiu was linked to the popular prewar group Omotokyo, and its activities were based on the millennial visions of its leader, a woman called Jikoson. When Jiu attracted the legendary sumo champion Futabayama to its cause, Jikoson and her activities became a widely-covered cause célèbre in the press. Tensho Kotai Jingu Kyo (labeled odoru shukyo, “the dancing religion,” by the press) was led by a farmer’s wife, Kitamura Sayo. Her uncompromising vision and actions toward creating a new society—one that was far removed from what she described as the “maggot world” of postwar Japan—drew harsh and often mocking criticism from the print media. Looking back for precursors to the postwar relationship of new religions and media, Benjamin Dorman explores the significant role that the Japanese media traditionally played in defining appropriate and acceptable social behavior, acting at times as mouthpieces for government and religious authorities. Using the cases of Renmonkyo in the Meiji era and Omotokyo in the Taisho and Showa eras, Dorman shows how accumulated images of new religions in pre-1945 Japan became absorbed into those of the immediate postwar period. Given the lack of formal religious education in Japan, the media played an important role in transmitting notions of acceptable behavior to the public. He goes on to characterize the leaders of these groups as “celebrity gods,” demonstrating that the media, which were generally untrained in religious history or ideas, chose to fashion them as “celebrities” whose antics deserved derision. While the prewar media had presented other kyoso as the antithesis of decent, moral citizens who stood in opposition to the aims of the state, postwar media reports presented them primarily as unfit for democratic society.Celebrity Gods delves into an under-studied era of religious history: the Allied Occupation and the postwar period up to the early 1950s. It is an important interdisciplinary work that considers relations between Japanese and Occupation bureaucracies and the groups in question, and uses primary source documents from Occupation archives and interviews with media workers and members of religious groups. For observers of postwar Japan, this research provides a roadmap to help understand issues relating to the Aum Shinrikyo affair of the 1990s.
