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The Romantic Imagination:
Literature and Art in England and Germany
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Table of contents:Acknowledgments. Illustrations. Frederick BURWICK: Verbal and Visual Modes of Imagination. PART I - IMAGINATION. Jürgen KLEIN: Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism. Werner HOFMANN: "The Dark Total Idea": Schiller on the Creative Process. Horst MELLER: The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father. Gabriele ROMMEL: Imagionation in the Transcendental Poetics of Novalis. PART II - THE SISTER ARTS. Frederick BURWICK: Blake's Laocoön and Job: or, On the Boundaries of P...
Table of contents:
Acknowledgments. Illustrations. Frederick BURWICK: Verbal and Visual Modes of Imagination. PART I - IMAGINATION. Jürgen KLEIN: Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism. Werner HOFMANN: "The Dark Total Idea": Schiller on the Creative Process. Horst MELLER: The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father. Gabriele ROMMEL: Imagionation in the Transcendental Poetics of Novalis. PART II - THE SISTER ARTS. Frederick BURWICK: Blake's Laocoön and Job: or, On the Boundaries of Painting and Poetry. Roswitha BURWICK: Physiology of Perception: Achim von Arnim's Practical and Historical Aesthetics. Wilhelmina L. HOTCHKISS: Grounds for Change: Wordsworth, Constable and the Uses of Place. Norma S. DAVIS: Poet and Painter: Beaumont's Illustrations in the Poetry of William Wordsworth. J. DRUMMOND BONE: Turner and Shelley: The Sense of a Comparison. PART III - THE SUBLIME AND THE PICTURESQUE. Anne K. MELLOR: Immortality or Monstrosity? Reflections on the Sublime in Romantic Literature and Art. Hans-Ulrich MOHR: The Picturesque: A Key Concept of the Eighteenth Century. Lilian R. FURST: In Other Voices: Wackenroder's Herzensergießungen and the Creation of a Romantic Mythology. PART IV - EKPHRASIS. James A.W. HEFFERNAN: Byron and Sculpture. Wolf Z. HIRST: How Dreams Become Poems: Keats's Imagined Sculpture and Re-Vision of Epic. Grant F. SCOTT: Shelley, Medusa, and the Perils of Ekphrasis. PART V - MODE, MANNER, STYLE. Barbara Maria STAFFORD: Bare versus Prismatic Style: Newton, Piranesi and Eighteenth-Century Theories of Abstraction in Art and Science. Gerald FINLEY: Pigment into Light: Turner, and Goethe's "Theory of Colours". Murray ROSTON: The Contemplative Mode. Karl KROEBER: The Clarity of the Mysterious and the Obscurity of the Familiar: Friedrich and Turner. Jörg TRAEGER: "... As if one's Eyelids had been Cut Away": Imagination in Turner, Friedrich, and David. Index.
Acknowledgments. Illustrations. Frederick BURWICK: Verbal and Visual Modes of Imagination. PART I - IMAGINATION. Jürgen KLEIN: Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism. Werner HOFMANN: "The Dark Total Idea": Schiller on the Creative Process. Horst MELLER: The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father. Gabriele ROMMEL: Imagionation in the Transcendental Poetics of Novalis. PART II - THE SISTER ARTS. Frederick BURWICK: Blake's Laocoön and Job: or, On the Boundaries of Painting and Poetry. Roswitha BURWICK: Physiology of Perception: Achim von Arnim's Practical and Historical Aesthetics. Wilhelmina L. HOTCHKISS: Grounds for Change: Wordsworth, Constable and the Uses of Place. Norma S. DAVIS: Poet and Painter: Beaumont's Illustrations in the Poetry of William Wordsworth. J. DRUMMOND BONE: Turner and Shelley: The Sense of a Comparison. PART III - THE SUBLIME AND THE PICTURESQUE. Anne K. MELLOR: Immortality or Monstrosity? Reflections on the Sublime in Romantic Literature and Art. Hans-Ulrich MOHR: The Picturesque: A Key Concept of the Eighteenth Century. Lilian R. FURST: In Other Voices: Wackenroder's Herzensergießungen and the Creation of a Romantic Mythology. PART IV - EKPHRASIS. James A.W. HEFFERNAN: Byron and Sculpture. Wolf Z. HIRST: How Dreams Become Poems: Keats's Imagined Sculpture and Re-Vision of Epic. Grant F. SCOTT: Shelley, Medusa, and the Perils of Ekphrasis. PART V - MODE, MANNER, STYLE. Barbara Maria STAFFORD: Bare versus Prismatic Style: Newton, Piranesi and Eighteenth-Century Theories of Abstraction in Art and Science. Gerald FINLEY: Pigment into Light: Turner, and Goethe's "Theory of Colours". Murray ROSTON: The Contemplative Mode. Karl KROEBER: The Clarity of the Mysterious and the Obscurity of the Familiar: Friedrich and Turner. Jörg TRAEGER: "... As if one's Eyelids had been Cut Away": Imagination in Turner, Friedrich, and David. Index.