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A judge murdered in a city park. Mickey Haller, the Lincoln Lawyer, defends the man accused.
A homeless person burned alive. Detective Renee Ballard catches the case on the LAPD's notorious graveyard shift.
An unsolved homicide from a lifetime ago. Harry Bosch is left a missing case file by his mentor who passed away. He was the man who taught Bosch that everybody counts, or nobody counts. Why did he keep the case all these years? To find the truth - or bury it?
In LA, crime never sleeps. But in Ballard, Bosch and Haller: the fire always burns. Will it light the way - or leave their lives in ashes?
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Produktbeschreibung
A judge murdered in a city park.
Mickey Haller, the Lincoln Lawyer, defends the man accused.

A homeless person burned alive.
Detective Renee Ballard catches the case on the LAPD's notorious graveyard shift.

An unsolved homicide from a lifetime ago.
Harry Bosch is left a missing case file by his mentor who passed away. He was the man who taught Bosch that everybody counts, or nobody counts. Why did he keep the case all these years? To find the truth - or bury it?

In LA, crime never sleeps.
But in Ballard, Bosch and Haller: the fire always burns. Will it light the way - or leave their lives in ashes?
Autorenporträt
Connelly, Michael§
MICHAEL CONNELLY is the author of thirty-four previous novels, including the #1 New York Times bestsellers Dark Sacred Night, Two Kinds of Truth, and The Late Show. His books, which include the Harry Bosch series and the Lincoln Lawyer series, have sold more than seventy-four million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels. He is the executive producer of Bosch, starring Titus Welliver, and the creator and host of the podcast Murder Book. He spends his time in California and Florida.

To find out more, visit Michael's website or follow him on Twitter or Facebook.

www.michaelconnelly.com
f/MichaelConnellyBooks
t@Connellybooks
Rezensionen
The Night Fire is further proof of Connelly's undimmed creativity. Juggling a characteristically crowded storyline, Connelly demonstrates once again why he is held in such esteem Financial Times