Farah Karim-Cooper
Broschiertes Buch
The Great White Bard
How to Love Shakespeare While Talking About Race
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Shakespeare: increasingly irrelevant or lone literary genius of the Western canon?
Farah Karim-Cooper is Professor of Shakespeare Studies, King's College London and Co-Director of Education at Shakespeare's Globe, where she has worked for over sixteen years. Farah has recently served as President of the Shakespeare Association of America and is on the Advisory Council for the Warburg Institute and the Council for the Society of Renaissance Studies. She led the architectural enquiries into early modern theatres at Shakespeare's Globe, overseeing the research into the design and construction of the Sam Wanamaker Playhouse, the Globe's indoor Jacobean theatre. She has written two Shakespearean scholarship books published by Arden, and published over 40 chapters in books, reviews and articles and is a General Editor for Arden's Shakespeare in the Theatre series.
Produktbeschreibung
- Verlag: Oneworld Publications
- Seitenzahl: 328
- Erscheinungstermin: 4. April 2024
- Englisch
- Abmessung: 195mm x 130mm x 30mm
- Gewicht: 306g
- ISBN-13: 9780861548095
- ISBN-10: 0861548094
- Artikelnr.: 69459229
Herstellerkennzeichnung
Libri GmbH
Europaallee 1
36244 Bad Hersfeld
gpsr@libri.de
'Vivid... a thorough analysis but also a kind of love letter... Karim-Cooper sees Shakespeare as holding a mirror to this society, with his plays interrogating live issues around race, identity and the colonial enterprise. Her critique is at its most absorbing and original when she shows how complicated his approach was... Her arguments come to feel essential and should be absorbed by every theatre director, writer, critic, interested in finding new ways into the work.' -Guardian
'Vivid... a thorough analysis but also a kind of love letter... Karim-Cooper sees Shakespeare as holding a mirror to this society, with his plays interrogating live issues around race, identity and the colonial enterprise. Her critique is at its most absorbing and original when she shows how complicated his approach was... Her arguments come to feel essential and should be absorbed by every theatre director, writer, critic, interested in finding new ways into the work.' -Guardian
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