Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
19.05.2026
Verlag
City Lights BooksSeitenzahl
320
Maße (L/B/H)
21,3/16,5/1,8 cm
Gewicht
567 g
Sprache
Englisch
ISBN
978-0-87286-944-8
One of Publishers Weekly's Most Anticipated Books & Library Journal's Big Books of the Year
"A poet's immersion in Greek classicism forges a stronger bond with her bloodline. . . . A moving family memoir and a triumph of cultural archaeology."— Kirkus Reviews, Starred ReviewA genre-busting encounter between a poet and her ancestral past documenting a startling intersection of queer history, ancient theater, utopian visions, and modern poetry.
In 1901, Eva Palmer abandoned her life as a privileged New York socialite, moving to Paris with her lover, the writer, and salonist, Natalie Barney. The two Americans became the center of a wild tangle of lesbian love affairs and backyard performances based in an intentional reimagining of Sappho's work and life. This hotbed of early European modernism saw in the ancient past the possibility for sexual and artistic emancipation, especially for lesbian women.
A chance encounter led Eva to Greece, where she married Angelos Sikelianos, a visionary poet who would become a Greek national hero. Together, they decided to stage a revival of the ancient Delphic festivals, convinced that it would open a path to world peace. By the end of two festivals, their meticulous reproductions had managed to change the course of modern Greek cultural history, even as their marriage dissolved. Eva returned to the U.S. and spent the next decades of her life in debt, but she never stopped pursuing her vision, convinced of the revolution of consciousness these art festivals could bring about.
Celebrated American poet Eleni Sikelianos grew up knowing little of her illustrious ancestors, and it was not until the age of 20, on her first trip to Greece, that she encountered the breadth of their legacy. In Memory Rehearsal, Sikelianos unearths the story of her pioneering ancestor trying to make a place for herself, in a text that shifts between prose, poetry, imaginary performance texts, fiction, and nonfiction, with archival and family photographs.
This is the third book in a trilogy of hybrid memoirs in which Sikelianos reckons with a family shaped by mental illness, homelessness, and addiction. Grappling with knots of personal and broader histories, she performs a powerful act of recovery, re-situating herself by claiming her lineage.
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