Ismalia Ossia Morte Ed Amore
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Ismalia Ossia Morte Ed Amore is a melodramma in two acts by Saverio Mercadante, with a libretto by Felice Romani. This edition presents the complete libretto in its original Italian. Set against a backdrop of love and death, the opera explores complex human emotions through its dramatic narrative and powerful vocal performances. Mercadante's score and Romani's libretto combine to create a compelling theatrical experience, characteristic of the Italian opera tradition. "Ismalia Ossia Morte Ed Amore" stands as a testament to the enduring appeal of 19th-century Italian opera, offering both histor...
Ismalia Ossia Morte Ed Amore is a melodramma in two acts by Saverio Mercadante, with a libretto by Felice Romani. This edition presents the complete libretto in its original Italian. Set against a backdrop of love and death, the opera explores complex human emotions through its dramatic narrative and powerful vocal performances. Mercadante's score and Romani's libretto combine to create a compelling theatrical experience, characteristic of the Italian opera tradition. "Ismalia Ossia Morte Ed Amore" stands as a testament to the enduring appeal of 19th-century Italian opera, offering both historical and artistic value to scholars and enthusiasts alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
