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An extended illustrated account of Hollis Frampton's film exposing the fragility of cinema, marking a critical moment in art history when photography meets filmmaking.

Produktbeschreibung
An extended illustrated account of Hollis Frampton's film exposing the fragility of cinema, marking a critical moment in art history when photography meets filmmaking.
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Autorenporträt
Rachel Moore is Lecturer in International Media for the Media and Communications Department at Goldsmiths, University of London. She is the author of Savage Theory: Cinema as Modern Magic and currently undertaking research on "The Film Archive of Natural-History," supported by the John Simon Guggenheim Foundation.