The Cambridge Introduction to the American Short Story
This wide-ranging introduction to the short story tradition in the
United States of America traces the genre from its beginnings in
the early nineteenth century with Irving, Hawthorne and Poe via
Fitzgerald, Hemingway and Faulkner to O'Connor and Carver. The
major writers in the genre are covered in depth with a general view
of their work and detailed discussion of a number of examples of
individual stories. The Cambridge Introduction to the American
Short Story offers a comprehensive and accessible guide to this
rich literary tradition. It will be invaluable to students and
readers looking for critical approaches to the short story and
wishing to deepen their understanding of how authors have
approached and developed this fascinating and challenging genre.
Further reading suggestions are included to explore the subject in
more depth. This is an invaluable overview for all students and
readers of American fiction.This wide-ranging introduction to the
short story tradition in the United States traces the genre from
its beginnings in the early nineteenth century with Irving,
Hawthorne and Poe, via Fitzgerald, Hemingway and Faulkner to
Raymond Carver and Flannery O'Connor.
' a pleasant and informative read ' Revue Française d'Etudes Américaine
'... a pleasant and informative read ...' Revue Francaise d'Etudes Americaine 'Adrian Hunter's Cambridge Introduction to the Short Story in English tackles this ambitious task with deliberate selectivity and yet with the declared aim of introducing his readers to a wide selection of short story writers writing in English from a variety of origins.' Archiv
Martin Scofield is Senior Lecturer in English and American Literature at the University of Kent.
From the Contents: 1. Introduction; 2. The short story as ironic myth: Washington Irving and William Austin; 3. Nathaniel Hawthorne; 4. Edgar Allan Poe; 5. Herman Melville; 6. New territories: Bret Harte and Mark Twain; 7. Realism, the grotesque and impressionism: Hamlin Garland, Ambrose Bierce and Stephen Crane; 8. Henry James; 9. Rebecca Harding Davis, Sarah Orne Jewett and Mary Wilkins Freeman; 10. Charlotte Perkins Gilman, Kate Chopin, Willa Cather and Edith Wharton; 11. Growth, fragmentation, new aesthetics and new voices in the early twentieth century; 12. O. Henry and Jack London; 13. Sherwood Anderson; 14. Ernest Hemingway; 15. F. Scott Fitzgerald; 16. William Faulkner; 17. Katherine Anne Porter, Eudora Welty and Flannery O'Connor; 18. Charles Chesnutt, Richard Wright, James Baldwin and the African American short story to 1965; 19. Aspects of the American short story 1930-1980; 20. Two traditions and the changing idea of the mainstream; 22. The postmodern short story in America; 22. Raymond Carver; 23. Epilogue: the contemporary American short story; Guide to further reading.
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