Music Theory in Concept and Practice
Herausgeber: Baker, James M; Bernard, Jonathan W; Beach, David
Music Theory in Concept and Practice
Herausgeber: Baker, James M; Bernard, Jonathan W; Beach, David
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Distinguished volume. Notes -- Historical, theoretical and analytical studies of principally nineteenth- and twentieth-century topics, reflecting current musical research.
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Distinguished volume. Notes -- Historical, theoretical and analytical studies of principally nineteenth- and twentieth-century topics, reflecting current musical research.
Produktdetails
- Produktdetails
- Verlag: Early English Text Society
- Seitenzahl: 536
- Erscheinungstermin: 1. September 2009
- Englisch
- Abmessung: 241mm x 161mm x 35mm
- Gewicht: 730g
- ISBN-13: 9781580462259
- ISBN-10: 1580462251
- Artikelnr.: 26163340
- Verlag: Early English Text Society
- Seitenzahl: 536
- Erscheinungstermin: 1. September 2009
- Englisch
- Abmessung: 241mm x 161mm x 35mm
- Gewicht: 730g
- ISBN-13: 9781580462259
- ISBN-10: 1580462251
- Artikelnr.: 26163340
Introduction Chord, Collection, and Set in Twentieth
Century Theory
Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy
James M. Baker Tonality: A Conflict of Forces
Patricia Carpenter Neoclassicism and Its Definitions
Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives
Arnold Whittall Salient Features
John Rothgeb Synthesis and Association, Structure and Design in Multi
Movement. Compositions
David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies
Elizabeth West Marvin Voice Leading in Atonal Music
Joseph N. Straus K, Kh, and Beyond
Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels
David W. Beach The Form of Chopin's Polonaise
Fantasy
William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft
Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz
Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud
Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906
08)
Robert W. Wason Some Notes on Pierrot Lunaire
David Lewin Form and Idea in Schoenberg's Phantasy
Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels
Ann K. McNamee Index
Century Theory
Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy
James M. Baker Tonality: A Conflict of Forces
Patricia Carpenter Neoclassicism and Its Definitions
Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives
Arnold Whittall Salient Features
John Rothgeb Synthesis and Association, Structure and Design in Multi
Movement. Compositions
David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies
Elizabeth West Marvin Voice Leading in Atonal Music
Joseph N. Straus K, Kh, and Beyond
Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels
David W. Beach The Form of Chopin's Polonaise
Fantasy
William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft
Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz
Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud
Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906
08)
Robert W. Wason Some Notes on Pierrot Lunaire
David Lewin Form and Idea in Schoenberg's Phantasy
Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels
Ann K. McNamee Index
Introduction Chord, Collection, and Set in Twentieth
Century Theory
Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy
James M. Baker Tonality: A Conflict of Forces
Patricia Carpenter Neoclassicism and Its Definitions
Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives
Arnold Whittall Salient Features
John Rothgeb Synthesis and Association, Structure and Design in Multi
Movement. Compositions
David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies
Elizabeth West Marvin Voice Leading in Atonal Music
Joseph N. Straus K, Kh, and Beyond
Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels
David W. Beach The Form of Chopin's Polonaise
Fantasy
William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft
Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz
Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud
Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906
08)
Robert W. Wason Some Notes on Pierrot Lunaire
David Lewin Form and Idea in Schoenberg's Phantasy
Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels
Ann K. McNamee Index
Century Theory
Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy
James M. Baker Tonality: A Conflict of Forces
Patricia Carpenter Neoclassicism and Its Definitions
Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives
Arnold Whittall Salient Features
John Rothgeb Synthesis and Association, Structure and Design in Multi
Movement. Compositions
David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies
Elizabeth West Marvin Voice Leading in Atonal Music
Joseph N. Straus K, Kh, and Beyond
Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels
David W. Beach The Form of Chopin's Polonaise
Fantasy
William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft
Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz
Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud
Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906
08)
Robert W. Wason Some Notes on Pierrot Lunaire
David Lewin Form and Idea in Schoenberg's Phantasy
Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels
Ann K. McNamee Index