In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the…mehr
In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.
Constantin Stanislavski died in 1938 and is the most influential person in actor training to date. As co-founder of the Moscow Art Theatre, he developed his theories of acting.
Inhaltsangabe
Explanatory Note by the Translator \ 1. Toward a Physical Characterization \ 2. Dressing a Character \ 3. Characters and Types \ 4. Making the Body Expressive \ 5. Plasticity of Motion \ 6. Restraint and Control \ 7. Diction and Singing \ 8. Intonations and Pauses \ 9. Accentuation: The Expressive Word \ 10. Perspective in Character Building \ 11. Tempo-Rhythm in Movement \ 12. Speech Tempo-Rhythm \ 13. Stage Charm \ 14. Toward an Ethics for the Theatre \ 15. Patterns of Accomplishment \ 16. Some Conclusions on Acting \ Index.
Chapter 1 Toward a Physical Characterization Chapter 2 Dressing a Character Chapter 3 Characters and Types Chapter 4 Making the Body Expressive Chapter 5 Plasticity of Motion Chapter 6 Restraint and Control Chapter 7 Diction and Singing Chapter 8 Intonations and Pauses Chapter 9 Accentuation: The Expressive Word Chapter 10 Perspective in Character Building Chapter 11 Tempo-Rhythm in Movement Chapter 12 Speech Tempo-Rhythm Chapter 13 Stage Charm Chapter 14 Toward an Ethics for the Theatre Chapter 15 Patterns of Accomplishment Chapter 16 Some Conclusions on Acting
Explanatory Note by the Translator \ 1. Toward a Physical Characterization \ 2. Dressing a Character \ 3. Characters and Types \ 4. Making the Body Expressive \ 5. Plasticity of Motion \ 6. Restraint and Control \ 7. Diction and Singing \ 8. Intonations and Pauses \ 9. Accentuation: The Expressive Word \ 10. Perspective in Character Building \ 11. Tempo-Rhythm in Movement \ 12. Speech Tempo-Rhythm \ 13. Stage Charm \ 14. Toward an Ethics for the Theatre \ 15. Patterns of Accomplishment \ 16. Some Conclusions on Acting \ Index.
Chapter 1 Toward a Physical Characterization Chapter 2 Dressing a Character Chapter 3 Characters and Types Chapter 4 Making the Body Expressive Chapter 5 Plasticity of Motion Chapter 6 Restraint and Control Chapter 7 Diction and Singing Chapter 8 Intonations and Pauses Chapter 9 Accentuation: The Expressive Word Chapter 10 Perspective in Character Building Chapter 11 Tempo-Rhythm in Movement Chapter 12 Speech Tempo-Rhythm Chapter 13 Stage Charm Chapter 14 Toward an Ethics for the Theatre Chapter 15 Patterns of Accomplishment Chapter 16 Some Conclusions on Acting
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