This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature and the contemporaneous evolution of the absolutist state.
This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature and the contemporaneous evolution of the absolutist state.
Mitchell Greenberg is Goldwin Smith Professor of Romance Studies at Cornell University. He is the author of several books on seventeenth-century French literature and culture. Greenberg uses contemporary critical theories, particularly Freudian and post-Freudian approaches, in the interpretation of early modern texts.
Inhaltsangabe
Preface Introduction 1. L'Astrée and androgyny 2. The grateful dead: Corneille's tragedy and the subject of history 3. Passion play: Jeanne des Anges, devils, hysteria and the incorporation of the classical subject 4. Rodogune: sons and lovers 5. Molière's Tartuffe and the scandal of insight 6. Racine's children 7. 'Visions are seldom all they seem': La Princesse de Clèves and the end of Classical illusions Notes Index.
Preface Introduction 1. L'Astrée and androgyny 2. The grateful dead: Corneille's tragedy and the subject of history 3. Passion play: Jeanne des Anges, devils, hysteria and the incorporation of the classical subject 4. Rodogune: sons and lovers 5. Molière's Tartuffe and the scandal of insight 6. Racine's children 7. 'Visions are seldom all they seem': La Princesse de Clèves and the end of Classical illusions Notes Index.
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