Basics Animation 04: Stop-motion - Purves, Barrie

Basics Animation 04: Stop-motion

Barrie Purves 

Broschiertes Buch
 
Sprache: Englisch
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Basics Animation 04: Stop-motion

Basics Animation: Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator or articulated puppet maker. It explores how all the elements of film-making – camera work, design, colour, lighting, editing, music and storytelling – come together in this unique art form. Students will learn to use and exploit the particular types of movement, characters and stories that characterise stop-motion. The book is packed with tips and suggestions to help you get the most out of your own stop-motion films, accompanied by full-colour illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and TV series. Basics Animation: Stop-motion Animation also examines the evolution of stop-motion, from its almost accidental beginnings to a much-loved form of storytelling in its own right – one that continues to push boundaries after 110 years.


Produktinformation

  • Gewicht: 581g
  • ISBN-13: 9782940373734
  • ISBN-10: 2940373736
  • Best.Nr.: 26616742
Barry Purves is a stop-motion animator and director with more than thirty years' experience. His films have won more than 60 major international awards, including Grand Prix's, Best Director, Best Film, and Oscar and BAFTA nominations. He has been involved with such diverse works as The Wind in the Willows, The Pied Piper of Hamelin, Chorlton and the Wheelies, Rupert Bear, Mars Attacks!, King Kong and Hamilton Mattress. Barry has held master classes in most of the major animation studios and colleges around the world and is the author of Stop Motion: Passion, Process and Performance.
Introduction. How to get the most out of this book. What is stop-motion?: The beginnings
The illusion of movement
Physicality
A continuous performance
Special effects
Wholly animated films. Focusing the idea: Stories and themes
Approaching the story
A change of perspective
Out of the mouths of...talking umbrellas?
Atmosphere and substance
Economics. The puppets: Telling the story with puppets
The physical puppet
Telling characteristics
Stylised movement
Replacements
Eyes
Hands
Puppet size
Clay
Other techniques. Preparations: Working with others
Sets
Costume
Colour. Tools and techniques: Practicalities
The camera
Lighting
Sound
Dialogue
Special effects
Editing. Movement and performance: Animating on the set
Lively movement
Helping the movement
Performance. Conclusion. A brief history of stop-motion
Picture credits. Acknowledgements. Working with ethics.
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